Hear Orson Welles’ War of the Worlds Radio Broadcast from 1938: The Original Tale of Mysterious Objects Flying Over New Jersey

A month ago, drones were spot­ted near Mor­ris Coun­ty, New Jer­sey. Since then, reports of fur­ther sight­ings in var­i­ous loca­tions in the region have been lodged on a dai­ly basis, and anx­i­eties about the ori­gin and pur­pose of these uniden­ti­fied fly­ing objects have grown apace. “We have no evi­dence at this time that the report­ed drone sight­ings pose a nation­al secu­ri­ty or pub­lic safe­ty threat or have a for­eign nexus,” declared the FBI and the Depart­ment of Home­land Secu­ri­ty in a joint state­ment. But the very lack of fur­ther infor­ma­tion on the mat­ter has stoked the pub­lic imag­i­na­tion; one New Jer­sey con­gress­man spoke of the drones hav­ing come from an Iran­ian “moth­er­ship” off the coast.

If this real-life news sto­ry sounds famil­iar, con­sid­er the fact that Mor­ris Coun­ty lies only about an hour up the road from Grovers Mill, the famous site of the fic­tion­al Mar­t­ian inva­sion dra­ma­tized in Orson Welles’ 1938 radio adap­ta­tion of H. G. Wells’ The War of the Worlds. Pre­sent­ed like a gen­uine emer­gency broad­cast, it “fooled many who tuned in late and believed the events were real­ly hap­pen­ing,” writes Space.com’s Eliz­a­beth Fer­nan­dez.

The unset­tled nature of Amer­i­can life in the late nine­teen-thir­ties sure­ly played a part, giv­en that, “wedged between two World Wars, the nation was in the midst of the Great Depres­sion and mass unem­ploy­ment.” Some lis­ten­ers assumed that the Mar­tians were in fact Nazis, or that “the crash land­ing was tied to some oth­er envi­ron­men­tal cat­a­stro­phe.”

In the 86 years since The War of the Worlds aired, the sto­ry of the nation­wide pan­ic it caused has come in for revi­sion: not that many peo­ple were lis­ten­ing in the first place, many few­er took it as real­i­ty, and even then, dras­tic respons­es were uncom­mon. But as Welles him­self recounts in the video above, he heard for decades there­after from lis­ten­ers recount­ing their own pan­ic at the sud­den­ly believ­able prospect of Mars attack­ing Earth.“In fact, we weren’t as inno­cent as we meant to be when we did the Mar­t­ian broad­cast,” he admits. “We were fed up with the way in which every­thing that came over this new, mag­ic box — the radio — was being swal­lowed,” and thus inclined to make “an assault on the cred­i­bil­i­ty of that machine.” What a relief that we here in the 21st cen­tu­ry are, of course, far too sophis­ti­cat­ed to accept every­thing new tech­nol­o­gy con­veys to us.

Relat­ed con­tent:

When Orson Welles Met H. G. Wells in 1940: Hear the Leg­ends Dis­cuss War of the Worlds, Cit­i­zen Kane, and WWII

Edward Gorey Illus­trates H. G. Wells’ The War of the Worlds in His Inim­itable Goth­ic Style (1960)

Hear Orson Welles’ Radio Per­for­mances of 10 Shake­speare Plays (1936–1944)

Hor­ri­fy­ing 1906 Illus­tra­tions of H. G. Wells’ War of the Worlds

Carl Jung’s Fas­ci­nat­ing 1957 Let­ter on UFOs

The CIA Has Declas­si­fied 2,780 Pages of UFO-Relat­ed Doc­u­ments, and They’re Now Free to Down­load

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.




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